Here we go again. Lots of things happened during the last few days. Sorry I didn’t write anything, but the flu and the allergy got really strong. Only the seaside breeze helped me recovering! Meanwhile, terrible things happened in Boston and in Korea, as you probably know, but the Art World kept working as usual. And that led me to think about friends far away from me (luckily they’re all safe), new projects, and most of all, sources of inspiration for these difficult moments all over the World.
RAGAMALA Paintings are a series of illustrative paintings from medieval India based on Ragamala or the ‘Garland of Ragas’, depicting various Indian musical modes, Ragas. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India.
Ragamala paintings were created in most schools of India painting, starting in the 16th and 17th centuries and are today named accordingly, as Pahari Ragamala, Rajasthan or Rajput Ragamala, Deccan Ragamala, and Mughal Ragamala.
In these painting each raga is personified by a colour, mood, a verse describing a story of a hero and heroine (nayaka and nayika), it also elucidates the season and the time of day and night in which a particular raga is to be sung; and finally most paintings also demarcate the specific Hindu deities attached with the raga, like Bhairava or Bhairavi to Shiva, Sri to Devi etc. The paintings depict not just the Ragas, but also their wives, (raginis), their numerous sons (ragaputra) and daughters (ragaputri).
The six principal ragas present in the Ragamala are Bhairava, Dipika, Sri, Malkaunsa, Megha and Hindola and these are meant to be sung during the six seasons of the year – summer, monsoon, autumn, early winter, winter and spring.